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Why i moved my blog to tumblr.

In an attempt to get the content flowing again on my site, i’ve moved (in a seemingly inexplicable backwards step) from using my custom django blog, to using a custom themed tumblr blog.

Why? What the hell were you thinking? i hear you asking…

Well, firstly, tumblr is a simple, hosted solution and it comes with an iphone app, and some simple content classes that i like the look of.

And secondly, i wanted to see if i could get away with it :)

I’ve also implemented 3rd party commenting and a couple of other things. If you’re a new reader, or a past reader… please leave a note and tell me what you hate about the new (hopefully more content rich) site…

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Photo libraries are devaluing photographers..

A look at photo libraries from behind the lens.

**Designers hate plagiarism.. it steals our worth. Stock libraries are killing photographers.. but designers still love them.. why? **

Background: what am I ranting about now?

This article is a reflection on the pros and cons of stock photography. Disclaimer: my girlfriend is a photographer / photo editor who has worked in photo libraries and magazines.. so I have some bias in this department.

I used to work at a web firm that was responsible for the web site of Sun Microsystems in Australia/NZ, and part of the process we provided was to source high quality stock photos from Getty images to feature on the Sun home page. These images were quite cheap - back in the day. Since then many stock websites that are far cheaper have cropped up, providing (again in my opinion) lower and lower quality control and cheapening the photographer’s work.

Photography is an artform that I have dabbled in at as hobby for years. I love good photography. BUT I know that I am not a professional, at best I am a hobbyist. Further to that, I love great photography in advertising and media. More than just giving me something to analyse and think about while i’m moving around the city, good use of photography is (in my opinion) an imperative part of most advertising and publication creative work.

How the creative community is cheapening photography

Why is it that we, the creative community, are actively cheapening photography? (i know also that this goes on in all facets of creative work, but today we’re just focussing on photography).

Websites like istockphoto cheapen photography to a degree that the only way a photographer could possibly earn what they are worth for the creation of an image is if that image were used in SO many campaigns that it would lose all it’s creative worth and value - it’s a contradictory model.

Shutterstock’s submit page says: “Current Payout $0.25 (US) per download. That means that at just 2000 downloads/month, you can earn $500 (US) per month! Many of our photographers earn this and more every month.”

istock say: “iStock pays contributors a base royalty rate of 20% for each file downloaded. If you are an Exclusive contributor you can earn up to 40%.”

20-40% of the royalty? So the other 60-80% is for istock to host a web site? Besides.. 20% of $1 is 20c - that’s crazy.

Just 2000 downloads. I’m wonder how many photographers are really hitting that mark on a regular basis.. my guess is not many - and the ones that do.. probably could have sold those images exclusively through a respectable agency for the same money (without the risk of earning nothing for their submission).

It’s a question of money!

The question is, who in their right mind would commission a photographer to shoot an image when they could just buy a stock photo that more or less fit the bill and use that?

The answer is not many people (and only those who have a high budget). I’ve been the perpetrator of this crime myself. I’ve bought istock photos for low budget websites, however I have also been trying to avoid this recently.. When I find myself thinking, maybe I should drop a stock photo into this site design, I stop myself and question if maybe I could dig out my D-SLR and shoot a picture to solve my design problem without supporting the change in the photography industry that I have come to dislike.

Designers? are we hypocrits, or do we just not get it?

So why do many designers support the destruction of professional photography while crying foul about similar tactics that affect their own industry? hypocrisy? selfishness?

I like to think that the REAL problem here is that designers (like the very photographers that submit their photos) have no true understanding of how much damage these practices really do to the photographic industry. The sad thing is, that with the advent of digital photography and the lack of true appreciation of photography as an artform, there is unlikely to be a solution to this problem. The photography industry would seem destined to shrink, to the point were professional photographers only really work in the fashion industry and the glossy magazine industries (where the budgets are big enough and the pockets deep enough to warrant the necessary expenditure).

Photographers aren’t the only ones suffering

But their situation IS unique..

There are many parallels in other industries and areas.. code freelancing sites come to mind, however the difference is: code freelancing sites only introduce competition across borders; a programmer in Russia might charge less than a programmer in the UK - but this doesn’t encourage a cheapening of the work per se. The Russian guy does the job just as well as me, the code freelancing site just networks clients with him, so that he can compete in a different market - it’s just free trade (a model that is proven - a t-shirt made in a factory in China is no different (in quality only - morality aside) to a t-shirt made in a factory in the USA).

How a success with stock libraries means a loss of value for photos

The online photo library that pays a photographer per photograph downloaded is changing the very structure of the photography industry and also reducing the inherent value of the image. Every download makes the photographer a few cents, however every download makes that image a little more common, a little less special and a little less valuable.

One might go so far as to argue that well before you hit that elusive 2000 downloads with shutterstock or iphoto, your photo is so common that no one wants to use it, because everyone already recognises it - its value is as good as gone.

What do we do?

Now, stock libraries ARE a going to remain a fixture in our lives as designers, so what can we do to minimise the impact on our fellow artists?

  • Where a budget allows it, always commission a photographer what they are worth to produce the images that you require.
  • Always cast your vote towards getting a shoot done right - never support cheap stock.. or cutting corners in the photography.
  • Buy stock from a respected agency that pays decent dividends to its photographers - this one will probably require some research (i’d love to see a list built up.. so hit me back in the comments if you know of libraries that are actually photographer friendly).
  • If you have no choice but to use a photo library, use somethign like stock.xchng that is openly promoting sharing of images, rather than claiming to be offering a photographer a good deal.

So, with that said, I hope some people’s eyes have been opened to the value of photography, and the need for the creative community to at the very least recognise that producing photographs is not a process of point, shoot, upload and wait for 20c payments per download.

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degrees. who needs ‘em?

More ranting on education.

So while surfing the net the other night I came across a freelance designer’s personal website. Nice enough site.. but without a link to a full CV and without any mention of education. Judging from her skill set, i’d say she definitely had a degree or TAFE course.. but no mention anywhere on her otherwise fairly extensive site. So i got to wondering, do you really need to show your qualifications? do they mean anything?

The importance ( or not) of getting/having a degree is not immediately obvious. Most people I know in my field claim they learned nothing at university or college, so why do employers always ask for “relevant qualifications” etc? Is this just a memory of how recruitment works in other fields? Or is there some hidden fount of usefulness in a degree that none of us can see?

Especially in the field of design, I believe it is true that the fundamental flaw in the system stems from the fact that the field of design requires passion and dedication to creativity and Most creatives see teaching as stifling their creative outlets. SO the university system (at least in aistralia - I’m assuming this holds true everywhere) can not provide us with teachers, lecturers or tutors who are the top of their field. The result being a plethora of semi-skilled workers being “qualified” and flooding the market place. While it isn’t their fault, the presence of these under skilled but technically qualified workers is further undermining the relevance and perceived value of degrees in the field.

Having said all that, if you have a degree you definitely want to put you qualification in your CV, on your website (maybe even on your business cards) after all, you spent a large amount of time and money getting that education; and its never a BAD thing to have a degree (it might be useless.. but it’s not negative). Besides, when I come across your CV or site.. i can look and see if i know the school you went to etc… it’s interesting and it satifisies my voyeurism.

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I got a “new media” degree.. what now?

Get a real degree? Get another degree? Get a job? Your options are far more limited than they told you at the uni careers day! But fear not, many of us have been there before.

When i graduated from my degree, I was already working… which worked in my favour.. a lot! I just went to work more. I was learning more in the office than the classroom anyway.. so it didn’t matter much to me.

Moving right along, the secret to getting a good job isn’t a degree, it’s being able to perform the job. However many places wont look at you without the degree, so having it is a good thing. Now, if your degree was anything like the one I did, all you need to do now is hone your skills so that you are actually going to be useful in a studio somewhere. You have to be 110% confident that you can perform any task in the role that you want to fill (it also helps if you live with your parents ;P since the entry level salaries for designers, at least in Oz, are shitty at best).

So, find some online tutorial sites for your software of choice, and get cracking with making sure there is nothing left that you don’t know about ;)